“Strange Fruit” – Remembering the Civil Rights Movement

by Daniela Enriquez / February 14, 2018

I was a bit disappointed this past November when I was unable to see the Edlavtich DCJCC’s Washington Jewish Music Festival (WJMF) show by Levine Music, “Strange Fruit: Music from – and inspired by – the Civil Rights movement”. The tickets for this show sold out too quickly for me to get one, and people who attended told me it was a big success. So when I saw, last month, that the EDCJCC was offering a second performance on January 29th, I immediately decided to check it out AND got the chance to speak with one of the musicians involved!

The “Strange Fruit” concert was a powerful and intense experience from the beginning to the end. Energetic songs and freedom chants were sung, heartbreaking poems and motivating speeches were recited. The audience was taken to the 1960s and back by the rhythm of the instruments and the amazing voices of the musicians. By the end everybody stood, sang and clapped to the rhythm of “We Shall Overcome!”

A few days before the performance, I had the pleasure of speaking with internationally acclaimed opera singer and star of this show, Mr. Charles Williams – who has performed at renowned venues such as Carnegie Hall, Wolf Trap, The Smithsonian, and the Kennedy Center. Williams led the “Strange Fruit” show with songs, recited classic poetry, and even read a portion of Martin Luther King Jr’s Nobel Prize speech. We talked about the two performances at the EDCJCC, freedom riders, the civil rights movement, and the difference with today’s movements for social justice.

Daniela: “Strange Fruit” had already been performed and had such a big impact that the EDCJCC proposed an encore. Were you expecting such a big success?

Charles: It was very exciting, and we were very overwhelmed by the reception. We’d love to do it again, and in other places, but there are about 7 people in the show and it’s difficult to get them all together. When composer, educator, and one of the leading musicians Chris Brown (no, not that Chris Brown) – and the people at the EDCJCC suggested we do it again, we all agreed and we’re really looking forward to it.

Daniela: Tell us about this project. Why did you decide to present it as part of the Washington Jewish Music Festival?

Charles: Chris Brown spoke with the people at the WJMF, and thought it was a wonderful idea to open the show during the WJMF because it has a lot to do with racism, and the Jewish people have had their share of racism – it was a natural. During the Civil Rights era, there were so many people of all religions and ages that were very much a part of it, including a lot of Jews. Martin Luther King Jr. had a very special talent because he was speaking the truth and people knew it. He forced Americans to get on the right track.

Daniela: What about the musical selection? How did the set list come together?

Charles: In 1961 the freedom riders travelled to Washington, DC and to the deep south. Some of them were attacked, and some of them were killed. We chose some of the freedom riders’ songs that I suggested, and as well as some of the other songs from the era that were being sung by the students.

Daniela: What makes a song like “Strange Fruit” a protest song, and how big of an impact did that song have when it first came out?

Charles: “Strange Fruit” was written in 1939 by a white, Jewish school teacher Abel Meeropol who was a member of The Communist Party. He wrote it as a protest poem exposing American racism and particularly the lynching of African Americans. Then, Billie Holiday wrote music to it. It became an anthem, a very important song of the civil rights era.

Daniela: Do you think that today’s “resistance” movement can be compared to the civil rights movement? What’s the role of music in it?

Charles: You can compare today’s “resistance” movement to the civil rights movement, but there is one significant difference. During the civil rights movement, people sang. Everybody – Catholics, Jews, Black people, and White people…they sang.

Nowadays, people are not singing. Even during the Women’s March, they were not singing. Music is extremely powerful, and if you do music while you are resisting, that becomes very powerful and it’s difficult to disregard it. I think that’s what is missing with these movements, like the Women’s movement and Black Lives Matter. They could sing the music from the civil rights era! They are missing an opportunity, and it won’t have as big of a success without the music. Music and love are the most powerful forces on earth!

 

About the Author: Daniela Enriquez is a part of our “Gather the Bloggers” cohort of talented writers who share their thoughts and insights about DC Jewish life with you. Daniela is Italian and comes from the only Jewish family in Palermo (population: slightly higher than DC). Things she likes about America include: the price of clothing, Internet coffee houses and ice rinks. Among the less desirable things are: the obsession with air conditioning, American “espresso,” and root beer. Feel free to contact her for advice on real Italian food in DC!

 

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